Mark Richardson

I'm the editor-in-chief of Pitchfork and I wrote Zaireeka, a book about the Flaming Lips album.

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MY FRIEND KYLE always had a lot of money and could get me into the expensive kind of trouble without the trouble sticking. He didn’t mind paying for me if it meant raising hell with loyal company. We were seventeen. You only needed one reason to be friends at that age. I figured we had at least three. So we broke the law every day in every way and laughed our asses off at the fucking stupid world.

In late April we began to hear rumors about a new drug in the Metroplex. It was in the gay bars. Kids at the Arts Magnet were getting it. Certain people at certain parties had it and it was magical.

They called it X. It was supposed to make you unaccountably happy and tolerant of everyone from headbangers to rich fucks. Even “douchebags.”

Psychiatrists had been using it in therapy for years, we were told. It was legal and local product (it was still special to Texas at that time). It would make you love and accept anyone. Even yourself.

This was a complicated promise for the teenager roiling with hate and confusion. I hardly believed it. But one night Kyle pulled out some foil holding four tablets, we each swallowed two, and went to a party where a lot of people were going to be doing it.

Coming around the corner of that house, I’ll never forget the scene. Every high-school rule was being broken before me. The lions were chatting up the lambs. I saw sworn enemies talking like longtime companions; a prickly society bitch on her knees sifting white garden pebbles through her hands with happy eyes; a brutal wrestler from my school with his arms wrapped around the trunk of a pecan tree, saying his first words to me ever, “Hi David,” sweetly, as I walked by.

I rolled my jeans up to my knees and sat at the edge of the pool. Maybe for the first time I felt like no one was going to try to push me in. The stereo was playing “Blues for Allah” instead of the customary “Eliminator.” Nearby, two linebackers were confessing how much they depended on each other “on and off the field.” I felt myself giving in to all the kindness, not caring if it was a lie or not. By the time a hot Fort Worth Jewess sprang into in my lap and began running her fingers through my hair, I was sold.

At sunrise, I came in through the sliding glass. I woke my father and his new bride, apologized for staying out all night, and pulled a chair up beside the bed. I continued to sit there and smile down on them. I said, “I just want you to know how much I love you, Dad.” Incredibly, he did not kick my ass. That morning was never mentioned again.

AS I SAID BEFORE, ecstasy was still legal and as such carried virtually no stigma. Kyle’s uncle kept a jar of tablets on his desk at his car dealership. Law-abiding adults were taking them at North Dallas cocktail parties. They were even sold behind the bars like cigarettes and openly hawked on street corners downtown.

That summer, I crushed two sports cars with my homely Buick, received six speeding tickets (three in one day), two tickets for public urination, impregnated a Collin County judge’s daughter, and had a bottle of MD 20/20 broken over my head. Approximately none of it registered with me. A very real fault of the drug. I’m going to skip the scenes of me chasing daisies and singing to stray dogs from still bulldozer cabs. I was exercising horses that summer for cash, and X hangovers were A-OK for barreling over the dull scrubland.

Sometime in August, the lawmakers in Austin finally got around to outlawing ecstasy. What a gift for the dealers! The price of ecstasy immediately quadrupled and the production costs plummeted as the manufacturers began cutting the pills with all manner of horrible stuff.

The night the law went through, I went to a concert at the Bronco Bowl and snagged two of the newly illegal pills for a dear price. I had never seen them in capsules and had no idea it was a sign they were crushing the old “legal” pills and mixing them with laxative, mannitol, low-grade speed, whatever.

Once inside, I spent a half hour wiggling my way to the front of the floor. Unfortunately, when I got there I had a big problem. Not only were the drugs not kicking in, they were causing me to have to shit real bad. Michael Stipe was singing “Moon River” (hey!) a cappella and I knew I was going to blow if I didn’t part this shoulder-to-shoulder crowd and make it to the restroom. The audience was frozen in place and dead silent as I plowed through, “Excuse me, excuse me, emergency here, please, please” ( I think I even yelled “gangway,” such was my ambition to get through), completely stepping on the vocalist’s Ethel Merman star turn and nearly getting shhhhhed to death.

I passed the rest of the concert in a nasty stall gritting my teeth, sweating and coming to terms with what was clearly the symbolic end of a spaced-out summer.

Fifteen years on, I can honestly say I’m glad it was outlawed. After three months of its use I had lost all discretion and was prepared to trust just about anyone. Worse yet, it was turning me into a joiner. That’s not who I am. Anyway, ecstasy was not to find its true customer base until years later, when the strangely passive kids who grew up in the child protectorate of the U.S. eighties and nineties came of age, craving depersonalization. Apparently it helps them dance. They’re a very attractive lot. Have you seen them dance?

Posted at 11:55pm and tagged with: David Berman, ecstasy, silver jews, one column,.

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bmichael:

Silver Jews
“Like Like The The The Death”

It seems certain that in twenty years, Silver Jews will be one of those rock curiosities. Like Be-Bop Deluxe, or another one of those sort-of brilliant, sort-of lost bands Julian Cope is always writing about. This notion makes me really sad.

I know there are others who like Silver Jews, and many who love them. I once started a single serving Tumblr devoted to transliterating lyrics onto Some E Cards. (Browse, but don’t bother following it, because it’s an endless task, and my name isn’t no Sisyphus.) The current of music, poetry, and thought probably won’t take us toward the more elliptical and breathtaking maneuvers pulled off by Berman (or Malkmus or Tate). That’s too bad, but it’s also true. Sort of a law, or at least a bill. A prolific epigrammatist a must be something like a natural abomination.

Everybody’s coming back to Christmas for Texas.

Before there were in-jokes on the internet, there was Silver Jews. Now, people feel really clever (or self-actualized) posting three-frame GIFs of Annie’s boobs (sic). But there used to be kids in cars huffing dusters and singing along with Dave Berman’s words. It’s fine. We get it. I’m old. Old and sad sort of go together.

I am older (and sadder). And once I wrote this column about David Berman’s lyrics. 

Posted at 8:42pm and tagged with: resonant frequency, silver jews,.