Mark Richardson

I'm the editor-in-chief of Pitchfork and I wrote Zaireeka, a book in the 33 1/3 series about the Flaming Lips album.

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You know what? It is the 8 mm movie that will save us. It is coming. You may think I am crazy. But I know people, very talented people, shooting their movies in 8 mm. The day is close when 8 mm home-movie footage will be collected and appreciated as folk art, like songs and the lyric poetry that was created by the people. Blind as we are, it will take us a few more years to see it, but some people see it already. They see the beauty of the sunsets taken by a Bronx woman when she passed through the Arizona desert; travelogue footage, awkward footage that will suddenly sing with unexpected rapture; the Brooklyn Bridge footage; the spring cherry blossoms footage; the Coney Island footage; the Orchard Street footage—time is laying a veil of poetry over them.

—Jonas Mekas, “8 mm. Cinema as Folk Art”; Village Voice, 1963. As quoted in Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body by Sally Banes.

Posted at 11:23pm and tagged with: film,.

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Someone on ILM started a thread about “Suburban Sound” and in it they mentioned Real Estate, which seemed right. And that made me think of Hal Harley’s 90s movies, most of which I believe took place in suburban Long Island. Those movies were very inspiring to me back then because they demonstrated that mundane settings like the one I grew up in could be the setting for something creative and funny and emotional that felt personal and new. That it was a matter of looking closely enough. Seems obvious now but it didn’t then. And the music in Hartley’s films, much of which he made himself under the alias Ned Rifle, captured the spirit of the movies perfectly. Always loved this closing music for Simple Men. And it sounds kind of like Real Estate.

Posted at 11:36pm and tagged with: film, audio,.