Tags:
flaming lips
zaireeka
Come song,
allow me some eloquence,
good people die.
-Jim Harrison
Tags:
flaming lips
zaireeka

What it is: “Around the Dial”, the opening track from the Kinks’ 1981 album Give the People What They Want.
Why it interests me:
1) My brother must have bought this one around the time it was released, which would have made me about 12 when I was listening to it. We probably had 20 or 30 LPs in the house total at that time, including the few records my brother had and the small handful of things my dad had picked up over the years (Saturday Night Fever soundtrack, Elton John’s Greatest Hits, The Best of Loud Reed, amazingly, NO idea why he had that). Because we had just these few albums, I started with the assumption that there was something special about all of them. I heard many of them over and over, and without thinking about it too much, I figured that they were all the best of their kind. Why else would someone have bought them? So I grew to love this album, and then I didn’t listen to it for probably 20 years, and then I bought it for a buck or so a few years ago. Did it hold up? Not really. Not in terms of sounding like what I would now consider “good music.” But it doesn’t matter. It’s like looking through a scrapbook—fun to do once in a while, regardless.
This song, which kicks off the album, seemed to me in 1981 to be this huge, heavy thing with a crushing riff, but now I mostly notice how lame the drumming sounds. But there’s still a reptilian brain thing happening when I hear it, where I can be swept away by my memory of the song’s force.
2) I’ve always wondered if the Flaming Lips’ “Turn It On” is a reference to this song. Certainly the radio static bits sound very similar. They both start their respective albums. They both have great riffs. They both talk about the weird connections that happen with new technology. I can’t hear one without thinking of the other.
3) The most significant development in radio in the last 15 years or so has nothing to do with music—it’s the rise of talk radio as a political force. What I read suggests that people have a strong connection to the format because radio fosters an intimacy other media can’t touch; this song is about the airwaves connection taken to an extreme. The narrator of the song had a particular DJ change his life and now he can’t find him anywhere: “FM, AM where are you? You’ve gotta be out there somewhere on the dial.” Maybe the DJ was fired because he wouldn’t sell out and play trendy music; maybe he was depressed. The important thing is that he’s gone, and the dude in the song doesn’t know what he’s going to do. He’s frantic. I listen to this song and wonder what the DJ might have played.
Always been a big fan of The Stranger. I lived in Seattle in the mid-90s, pre-Internet days, and used to look forward to it every week. In those days it sort of split the difference between a proper weekly and The Onion, throwing in surreal jokes in unexpected places.
Anyway, very nice mention of Zaireeka by Paul Constant that also brings up my favorite book in the 33 1/3 series, Carl Wilson’s Let’s Talk About Love.
Fluxblog » Blog Archive » Fluxblog Interview With Mark Richardson!
A little late posting this, but Matthew Perpetua at Fluxblog interviewed me about Zaireeka last week, it’s up over there now. It was a lot of fun and I think it turned out pretty well.
From talking to him elsewhere (he writes for Pitchfork, and other places), I get the sense that Matthew has a pretty good radar for when people get sentimental about changes in how we experience music (i.e. “You had to work harder to find out about music before, man, kids now have it easy,” etc.) And in my Zaireeka book, I talk a lot about how part of what makes the record so interesting is how difficult it is to experience. The hoops you have to jump through creates scarcity, not to mention, you need to experience it with other people who are also interested in jumping through the hoops. So there is automatically a social element to it too. And I touch on headphones a bit, and how (most of my evidence here is anecdotal) the percentage of our music-listening time spent alone, with our ears covered, where the music is the only source of sound, has gone up a lot in the last 30 years. Researching that part of Zaireeka, I wanted to write an entire book just on the nuts and bolts of how music is experienced and how it’s changed over the years. It’s an endlessly fascinating subject for me.
Anyway, I was glad that Matthew connected to what I was talking about in that part of the book, and recognized that my interest in how the unique context of Zaireeka informs the experience isn’t an indictment of current modes of music consumption. It’s a great time to be following music. And when you want to take a break from downloading mp3s and listening with your headphones on while surfing the web, Zaireeka is there waiting for you. Just gotta round up some friends and do some planning.

Another piece from 2002. This was published on Pitchfork, but through several migrations/CMS changes, etc., it’s no longer in the archive and hasn’t been for some time. Which is just as well— it’s not very good. But I’m posting it because it was the germ of the idea for my Zaireeka book, and a few people have found it over the years. It’s even mentioned on Wikipedia.
Nice review here from the Okie Reads blog.
