Most of the tracks were produced by Emile Haynie, who has mostly recorded hip-hop until now—a slightly misleading credential, since “Born to Die” sounds only intermittently like hip-hop, and there is nothing like rapping (except for a few Dad-like eruptions of vernacular in…
Mark Richardson
I'm the editor-in-chief of Pitchfork and I wrote Zaireeka, a book about the Flaming Lips album.
Resonant Frequency | Reviews | Highlight Reel | invisible music | twitter | email | "Ask"
Resonant Frequency | Reviews | Highlight Reel | invisible music | twitter | email | "Ask"
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