61 plays

When I was 16 my best friend was named Dave. In our suburban town we were two lonely kids trying to figure out the world. We both played sports but, despite being reasonably good at them, we never felt like we really fit in there. I felt incredibly awkward. When I saw the move Superbad a few years back, a movie I loved, I thought, “That was me and Dave.”

Springsteen was out largest shared obsession. Both of us knew every song on every album through Born in the USA by heart. We talked about the songs, how they worked and what they meant and why they were so great. We drove around singing them (we had just started driving). When I listen to “Backstreets”, a song I want to write about here at length at some point, and especially the line “trying to learn how to walk like the heroes we thought we had to be,” I think “That was me and Dave.”

Thing about being 16 is you do a lot of things for the first time. First time I drove in a car with a friend it was with Dave. First time I ever got drunk it was with Dave. So you experience these things and you talk about them and then you try and figure out what they might mean. 

Dave had a close family friend who was a freshman at Michigan State University, the huge college in the town where we lived. During my junior year I didn’t have much happening socially in high school. I just had a handful of friends, didn’t go to dances or parties or things like that. Had never had a girlfriend. It was all pretty hard to negotiate. And Dave and I would hang out at his friend’s dorm, which I liked a lot. It was like Peanuts in a way—a parent-free zone. I got a sense of the possibility in it, of leaving home and living on your own.

There was a point where we’d be going to parties at this dorm pretty regularly, and we would try and pass ourselves off as college students. After we had a few beers, we’d try talking to college girls there, saying we were going to MSU, we had fake lists of classes we had memorized and another dorm that we said we lived in. 

It’s funny to think about how ridiculous we must have looked. In the abstract you could say we were “trying to pick up girls” but it was, like, a million miles from happening. We were both afraid, but the possibility of something ever going down was so remote it didn’t really matter. It was almost like an inside joke or something. 

In Hubbard Hall at Michigan State they used to have this legendary party every semester called “10 on 10”. On the 10th floor, where my friend’s friend lived, they would have 10 kegs in 10 rooms and the entire complex would cram into the floor. Maybe stuff like that still goes on at public schools, I have no idea. But we went to a couple of these things and at one of them we started talking to two girls who seemed to find us entertaining for some reason. They were laughing at jokes and maybe they believed we were in college. And eventually they said this party is too crowded let’s go down to our room, which was a few floors down. OK.

A weird thing I remember about walking to their place is that someone had vomited in the stairwell on the 10th floor, but they had done so over the railing and had positioned their head just perfectly so that the vomit actually hit every landing of every floor down to like the second floor. If you tried to aim it this precisely you woud have a hard time.

So we got down to their room and we walked in and I was thinking, wow, what is going to happen now? And they pulled out a couple of beers from a little fridge and we sat down and before long one of them went to put some music on the stereo. It was an album I had never heard of, by a band called the Violent Femmes. And they cranked it up and started dancing around the room together, like jumping and screaming the lyrics and they were going crazy. And Dave and I just got of sat there looking around, wondering what the hell was happening, and feeling like we were somehow in way over our heads. And pretty quickly it became clear that they didn’t really care if we were there or not, that they momentarily found us amusing but that had ended and what they wanted now was to jump around and listen to the Violent Femmes. They ignored us completely. But I got to hear this music, and I’ve thought of this night every time I’ve heard it in the years since (which is many times) And after a few songs we kind of slipped out and started the long walk home. 

Posted at 10:28pm and tagged with: violent femmes, writing, David Alizo,.

Pretty strong memory of being at work and freaking out when Joanna Newsom’s “Good Intentions Paving Company” hit the internet. Like a lot of people my age, I miss midnight sales, big release days for records, all that, but we do get this feeling where we collectively experience a new song online and it’s like wow. That’s what I remember about this one when it hit. The last bit completely took my breath away:

And I do hate to fold
Right here at the top of my game
When I’ve been trying with my whole heart and soul
To stay right here in the right lane

But it can make you feel over and old
Lord, you know it’s a shame
When I only want for you to pull over and hold me
‘Til I can’t remember my own name

Was thinking about those rare moments when you do sort of forget who you are, and it’s actually a moment of bliss. Once in a while it happens, like in the moment after I wake up, or when having an experience where I’m so focused on the present and my surroundings that my ego sort of disappears for maybe two seconds. Her former boyfriend Bill Callahan’s “Held” hinted at this same feeling. 

Posted at 9:38pm and tagged with: joanna newsom,.

Do you still have anxiety about your career ? Seems like you have a job and a level of success that would let you calm down about things like that, not that anyone is ever really satisfied ...
Anonymous

Unfortunately I have anxiety about everything. It’s very hard for me to picture a life without worry. But I do feel gratitude, and that helps a lot. As Ted Berrigan once said, via Irving Berlin, I count my blessings instead of sheep and fall asleep before I’m finished.

Posted at 11:57pm.

i'm aware that you really enjoy vampire weekend's material. what are your insights on their new album?
Anonymous

I absolutely love it (but I’m not sure I have any insights). It’s exciting to me because I know that I will continue to hear things in it for a long time to come. It is immediate in its appeal—sounds great, melodies are generally strong, played well, good turns of phrase—but I can also sense a world behind every gesture that I haven’t absorbed yet. So I’m kind of savoring it, allowing it to seep in slowly, knowing that I will be hearing new things in it 3 or 6 or 12 months from now. I like that feeling.

Posted at 11:39pm.

pitchfork:

Read Mark Richardson’s Best New Music review of Daft Punk’s fourth album, Random Access Memories.

I reviewed the new Daft Punk record.

Posted at 12:09pm and tagged with: writing,.

pitchfork:

Read Mark Richardson’s Best New Music review of Daft Punk’s fourth album, Random Access Memories.

I reviewed the new Daft Punk record.

When we engage the creative mind, the object upon which we focus our energy seems to proliferate. For example, if we attempt to make a collection of green things, and we engage the creative mind for this task, we begin to see green everywhere.

Often we think we can engage the critical mind separately from the creative mind. We think that to be critical means to be negative. In fact, critical simply means discerning, or able to separate the observed object into parts. The critical mind turns out to be another version of the creative mind.

If we think of critical as negative, however, if we think our critical task is to observe and make a collection of problems to be corrected, then problems become the object of our creative mind masquerading as a critical mind. We then start to see problems everywhere. We become proficient at observing problems. We become one who is defined by the ability to observe a proliferation of problems. Because of this approach, the creative mind seems to shut down when the critical mind is engaged. In fact, the creative mind has only been engaged negatively, and because of this habit, when we set out to make our own work, to engage our creative mind deliberately, we experience paralysis because we have trained ourselves to observe only problems.

For now we will try an experiment. We will engage the critical mind to observe the moments in the work we are looking at that seem to us the most exceptional and inspiring—the miraculous moments. Maybe this approach will allow us to keep the creative mind deliberately engaged as we engage the critical mind. Maybe we will start to see miraculous moments everywhere. We will become one who is defined by the ability to observe a proliferation of miracles.

Rather than making a critical response to the work you are observing, make a creative response to it. Think of the creative response as your own work that would not have existed without the work you are responding to. Start with the most obvious miraculous (exceptional, inspiring, unusual, transcendent, or otherwise engaging) moment that you see in the work. What appears to you obvious may not appear obvious to anyone else.

You may have an association with that moment that makes the moment miraculous for you. You may echo the moment in your creative response, multiply it, work out from it in some other way. The moment may have been intentional or accidental. Instead of a moment, maybe you respond to a structural element, a visual element, a spatial element, or some other quality in the work observed.

If we can destabilize the boundaries between the critical and the creative, we may enrich them both, and discover a communal practice—one that relies on one another for inspiration and energy, both critically and creatively.

Matthew Goulish

While generating an archive of my old posts in case things go south with this Yahoo deal, I came across this quote, which I posted a year and a half ago.

Posted at 12:51am and tagged with: matthew goulish, criticism,.

markrichardson:

If, when casually speaking with someone, you state an idea about a new record that your conversation partner might also be reviewing, you realize that this person might steal your idea for his/her review. If you are worried about your idea being stolen, you don’t share it in…

Just to pick up on a couple things mentioned earlier in this thread— for me this mostly works in one direction, in that I if I’m offering up my ideas freely to someone else who might write about the subject, I sort of accept that they might absorb some of the ideas and run with them. I wouldn’t borrow someone else’s idea without mentioning to them that I was going to borrow it, if I thought they might care (“Hey, that is good, I might use that, cool?”), and I also wouldn’t borrow a thought I didn’t ask about without attribution. I have a lot of guilt, and I would feel terrible about it. But I don’t necessarily expect the same consideration. If I’m talking about an idea freely, and I know you might be someone who finds it useful, it’s yours. (Sometimes I feel like I have some interesting ideas that I don’t want to share until I write about them and so I mostly keep them to myself or talk about them with people who can give me feedback without worrying about whether it might influence something they are doing.)

Once in a while I’ve seen an idea or thought or analogy that I think is mine (you never really know) repeated by others and I always get a little charge out of it. There is no way for me to know for sure whether it came from me, but I find it very exciting that a thought I’ve had might make its way around, and I don’t really need my name attached to it. If I thought of it and I got paid for writing it, I’m good, and after that it takes on a life of its own.

Posted at 10:01pm and tagged with: writing,.

juanalikesmusic:

Our CD Collection

With the development of digital music and the revival of vinyls, the CDs are being left behind. They are not as modern as digital music and not as romantic as vinyls. At least that is what I can perceive from people’s opinion.

Let me guide you through my father’s CD collection (with also include my contributions). 

Interesting stuff here about music, formats, and fathers.

Posted at 12:08am.

juanalikesmusic:

Our CD Collection
With the development of digital music and the revival of vinyls, the CDs are being left behind. They are not as modern as digital music and not as romantic as vinyls. At least that is what I can perceive from people’s opinion. 
Let me guide you through my father’s CD collection (with also include my contributions). 

Interesting stuff here about music, formats, and fathers.

If, when casually speaking with someone, you state an idea about a new record that your conversation partner might also be reviewing, you realize that this person might steal your idea for his/her review. If you are worried about your idea being stolen, you don’t share it in private conversation but rather write it down somewhere in public view first, so the fact that it is “your idea” is documented. In other words, you only share in conversation what you don’t mind being stolen. Am I right about this?

Posted at 12:00am and tagged with: writing, one column,.

I'm not sure if someone has already asked you this, but I wanted to know how important is for you the language of lyrics.

Well, it’s important. Very important. Mostly because when I can’t understand words I tend to experience them as sound. There tends to be less specificity for me, I guess, when I can’t understand lyrics, but even that is not always true. I know that you are also a big fan of Juana Molina, and if I were to take my favorite song by her, “Salvese Quien Pueda”, I mostly experience that as sound but also experience it by the subtle inflections of her voice. It is still human speech, after all, the words are only part of how the meaning is communicated, and that is interesting to me. I have a very personal connection to that song even if, when listening to it, I don’t think about what the words mean.

Posted at 11:50pm.

I really like the Sukpatch song “Stolen Chrome”. I have the 7”, which was part of the run of the Sub Pop Singles Club when it was revived in 1998. For a number of years I’ve looked for an mp3 of this song so I can hear it on my iPhone but no luck. There is a YouTube of it, ripped from vinyl, but the quality is poor (crazy wow and flutter) so I’m not going to link to it now, maybe some day I will digitize it myself and put it up. But I was thinking about it a moment ago and I thought “I wonder if anyone has ever written about this song” and so I googled a line from it that I like, which is a little insult that goes “You think you’re platforms and tanks but you’re wool socks.” And it turned out exactly one person in the history of the internet has written that line, and it was me, eight years ago.

Posted at 1:51am and tagged with: Sukpatch,.

I really like the Sukpatch song “Stolen Chrome”. I have the 7”, which was part of the run of the Sub Pop Singles Club when it was revived in 1998. For a number of years I’ve looked for an mp3 of this song so I can hear it on my iPhone but no luck. There is a YouTube of it, ripped from vinyl, but the quality is poor (crazy wow and flutter) so I’m not going to link to it now, maybe some day I will digitize it myself and put it up. But I was thinking about it a moment ago and I thought “I wonder if anyone has ever written about this song” and so I googled a line from it that I like, which is a little insult that goes “You think you’re platforms and tanks but you’re wool socks.” And it turned out exactly one person in the history of the internet has written that line, and it was me, eight years ago.

joumanakayrouz:

1. You are 3 years old or younger.

2. You are an infant or toddler.

3. You are in the very early developmental stages of human life.

4. You never experienced September 11, and you don’t know what it is because you can barely grasp basic tasks like walking and using a toilet.

5. You were born on or after January 1, 2010.

6. You were born three years, five months and seven days ago or more recently.

7. You cannot read this list because your brain is not developed enough for literacy of the English language.

8. You’ve never been on MySpace and you don’t know what that is. You cannot type or competently use a computer.

9. You don’t know who Michael Jordan is. You don’t know who most celebrities are because you’re in such an early stage of life that you can barely recognize and remember the people in your immediate and extended family.

10. You never knew Pluto as a planet. You don’t know what planets are or anything about the cosmos because you are a young child who has no concept of abstract ideas whatsoever.

Posted at 12:47am.